“Probably Nothing” explores the blurred boundary between the natural and the human, between what is preserved and what is forgotten.
The work centers on the question: how do we decide what counts as a valuable historical artifact - and what is dismissed as “nothing”?
At the heart of the work are two figures - an archaeologist and a shaman (archaeologist Omri Ganshrow and artist Marcelle Tehila Bitton) - each offering a different approach to deciphering the past: one through science and systematic classification, the other through intuitive and spiritual interpretation.
The two traverse the desert landscape, searching, interpreting, and hesitating over objects that appear to be remnants of the past, yet remain ambiguous and unclassifiable.
The work brings to the surface the tension between documentation and erasure, memory and oblivion - between what we recognize as “something” and what we are quick to dismiss as “probably nothing.”